Gorgeous and professional 28 Page liner notes booklet, fully illustrated with essays by FilmCentrix producer Steven Morowitz, director Nicholas McCarthy and exploitation hound Mark Banville.English Subtitles for Main Feature and Director Commentary.Exclusive Interview with actor Richard Crystal – ‘The Lunar Crooner’.Exclusive Interview with co-star Robert Walden – ‘Paging Dr.Exclusive Interview with Script Supervisor Sandy King – ‘Supervising Sunshine’.Exclusive Interviews with Director Jeff Lieberman – ‘Tuning In On Tuning Out’.Fantasy Film Festival with Mick Garris and Jeff Lieberman (archival).Vintage Classroom LSD Scare Films scanned in High Definition.Q & A – At the Jumpcut Cafe, from Los Angeles.The Locations of Blue Sunshine Featurette – with director Jeff Leiberman.Theatrical Trailers scanned in High Definition (Original & Alternative Cut).
#JUMPCUT CAFE 1080P#
Blu Ray Technical Specifications: Main Feature: 1080p.DISC 3: CD Soundtrack with Music From the Motion Picture, written and composed by Charles Gross.DISC 2: DVD-9 Dual Layer Includes: Main Feature, Trailers, Audio Commentary, Interviews, Slideshow, English Subtitles.FilmCentrix and legendary director, Jeff Lieberman ( Squirm, Just Before Dawn), proudly present this 1977 horror classic in a brand new, director approved 4K restoration, made from the original 35mm camera negative.In Natasha’s words, “Songs are often written about one type of love – romantic love – and overlook the love we share with the many creatures around us, our family and friends, the places we visit, and the adventures we embark on during our lifetime. While attending veterinary school at Tufts University, the original songs continued to flow, some inspired by her unique emotional experiences working with homeless and injured animals. Natasha’s love of music is matched only by her love for animals, which led her to a career in veterinary medicine. The songs that ensued were a unique blend of samba, bossa nova, jazz, folk, and world music styles that told stories through eloquent lyrics. Her original song, “Fennecus,” which was written for a final class project while studying jazz theory under Tom Ranier at UCLA, would define a new direction in her songwriting. An avid writer of poetry and fiction, she kept vivid journals of her world travels, and after a life-changing trip to South America at age 19, she picked up the guitar and began playing and singing Brazilian music. Natasha studied classical piano for fifteen years and found herself drawn to lush impressionist harmonies and ragtime, which culminated in a fascination with jazz and composition. Coming from a musically inclined Brazilian family on her mom’s side, Natasha grew up with the sounds of samba, bossa nova, and MPB pulsing through the household, along with those of 70s singer-songwriters, Broadway musicals, and old school R&B.
As a child in Los Angeles, she spent countless days visiting the West LA recording studio that belonged to her grandfather, record producer and founder of Dot Records, Randy Wood. Natasha has been creating music ever since her parents gave her a toy piano on her 3rd birthday. Talk Radio’s “Indies in Motion” and has performed at numerous venues throughout the South Pacific Islands. In addition, she has been featured on L.A.
Natasha has performed throughout Los Angeles, appearing on stages including the world famous The Viper Room, in addition to Genghis Cohen, Westwood Music Center, Jumpcut Café, Beverly Hills ArtSHOW, The Other Door, and Café Cordiale. With lavish arrangements and skilled production, Wood’s high-spirited debut album absolutely obliterates the boundaries between musical genres. Her debut solo album, “Part of Me,” showcases her incredible talent as both a striking vocalist and wildly talented songwriter. Los Angeles native Natasha Wood has been called a “Brazilian Joni Mitchell” and has been compared to Marisa Monte, Elis Regina, Gal Costa, Esperanza Spalding, Ani DiFranco, and Carole King.
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